Music Reviews »
REVIEW: 'It Likes to Party' by Campaign
Georgia -- primarily Athens and Atlanta -- has become a hotbed for music the past few years, turning out numerous acts who have made it big in the mainstream or the underground. And with
Read More »REVIEW: 'Heaven is Whenever' by The Hold Steady
Once upon a time, The Hold Steady was the greatest band in America
Read More »REVIEW: 'The Last Thing You Forget' by Title Fight
Ten years ago, screamo was just beginning to become a household name in the growing list of rock subgenres. Thursday and At the Drive-In were paving the way in this new revolution of music
Read More »REVIEW: 'Omni' by Minus the Bear
Most bands that focus on sex nowadays in their music are the trashy wannabe 80s rock stars, who are making music now but wishing it were 25 years ago. Modern rock is littered with
Read More »REVIEW: 'Bow and Quiver' by imadethismistake
It’s been more commonplace over the past decade for alternative rock bands to come out firing on all cylinders emotionally. Some sad, some confused, some angry. But Rhode Island act imadethismistake has something to
Read More »REVIEW: 'Barbara' by We Are Scientists
We Are Scientists broke onto the scene in 2005 with their first major-label album, With Love and Squalor. It was a catchy, slick, well-crafted collection of poppy post-punk from a trio of goofballs that
Read More »REVIEW: 'Strange Behavior' by Restorations
You don’t normally hear bands trying to claim the ground that mixes jangle pop, hardcore punk and Americana. But then Restorations aren’t every other band
Read More »REVIEW: 'Changer' by Vehicle Blues
Gabe Holcombe has begun to emerge from the obscurity of homemade music
Read More »REVIEW: 'Brothers' by the Black Keys
Most people think of the White Stripes when it comes to modern blues, but they're not the only ones out there
Read More »REVIEW: 'American Slang' by The Gaslight Anthem
Take one listen to the Gaslight Anthem’s music and it’s easy to tell who their influences are – Bruce Springsteen, Social Distortion, Tom Petty, the Clash – with the former being most prevalent
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